Punch-Drunk Love

I liked Punch-Drunk Love when it first came out 17 years ago, and I watched it again to see what I would think of it now. It's not a movie for everybody, but it hits perfectly for me. I can totally identify with Barry. The soundtrack gets a bit obtrusive, and the plot isn't terribly realistic. But I love the humor, and the way his sisters act is a spot-on representation of how people really are.

I generally haven't hated Adam Sandler movies. I liked 50 First Dates. I liked Billy Madison, although I was nine when I saw it, so my opinion might change if I saw it again. I think he eventually went south with the dumb comedies, though, and I haven't seen him in anything for a long time.

I saw Punch-Drunk Love when it came out, but that was 17 years ago, which is insane to think about. I liked it then.

The Ballard of Buster Scruggs

There are some interesting themes and visuals in The Ballad of Buster Scruggs, and of course a lot of great actors, but overall, it's just not my thing.

The Coen Brothers are hit or miss with me, and The Ballard of Buster Scruggs falls squarely in the category of "meh."

The Proposition

The Proposition is one of my favorite movies. Nick Cave's soundtrack is bewitching, and the landscapes are beautiful. All of the actors are great, and there’s so much depth to the characters. Everything about it is meticulous and nuanced. I’d dial back how graphic some of the violence is, but other than that, it's brilliant.

This is at least the third time I've seen The Proposition. I saw it when it came out, and it's one of my favorites. Apparently I don't even have a rating for the previous times I've seen it. I absolutely love it, though. It's great right from the beginning, when you've got everybody there -- Ray Winstone, Guy Pearce, and Mikey. And they start right away cutting to the landscapes, and Charlie on his horse. The visuals are so great the entire time -- the scenery, the composition, everything. It makes you feel like you're really there.

The Usual Suspects

The Usual Suspects was alright. It was interesting seeing how things played out, and I liked the ending, even if it was a little confusing.

The Usual Suspects came out 20 years ago, but somehow I never saw it. Now it's weird because of Kevin Spacey. It makes you look at things in a different light. His character comes off as pretty weird/creepy, and it turns out that he actually is creepy.

They wore really oversized suits in the 90s. The musical cues were super oldschool and distracting. They really liked doing shots of two characters in profile. Benicio del Toro was practically unrecognizable. I liked Stephen Baldwin's performance, for some reason. I don't think I've ever actually seen him in anything.

Blade Runner 2049

The entire atmosphere of Blade Runner 2049 isn't my thing, a lot of the musical cues are totally off, and there are some really annoying scenes where you know exactly what's going to happen.

I didn't like the original Blade Runner, but it's been about a decade since I've seen it, so I don't remember why. I did give it a 3/5, so I guess I didn't hate it.

Blade Runner 2049 was okay. It was kind of long and boring. I wasn't really interested in it. I had a problem with the first half, because with most AI movies, there's a moral dilemma. But with this one it was so cut and dry. The replicants are humans, so we don't have the right to kill them, end of story.

Swiss Army Man

Swiss Army Man is a weird movie. It makes a valid point, but the presentation is pretty rudimentary.

Swiss Army Man didn't pique my interest when I saw the trailer for it. I think any reviews I saw about it said it was "okay," which certainly didn't motivate me to see it. When I started watching it, I was pleasantly surprised to see that it starred Paul Dano. I remembered that Daniel Radcliffe was in it.

They kind of beat you over the head with the theme that we're really all the same, and we all do embarrassing things that wouldn't be embarrassing if we would stop making people feel bad for doing them. It's a valid idea, but the way in which it was conveyed wasn't terribly entertaining.

The Departed

The Departed is a bit dated, but the acting is good, and I guess it’s interesting enough, if you like that kind of thing.

I had always heard that The Departed was good, but I wasn’t interested in it. Now that I finally got around to seeing it, it seems kind of dated, but I guess that’s what happens when you watch something that’s a decade old.

Sully

Sully is kind of a disaster. It manages to have a few engaging moments, but there’s not much point in watching it.

I knew before I watched it that I wasn’t interested in seeing Sully. There wasn’t any point. Tom Hanks looked really weird with that mustache, and so did Aaron Eckhart.

I guess I kind of liked the drama of “is Sully really mentally sound or not.” It did make you question if he really needed to land the plane like that or if he could’ve gotten back to an airport. I felt bad about the whole situation between him and his wife. I wonder how that turned out. Although they showed the real Sully at the end and he seemed like kind of a jerk. I think Tom Hanks’ version was a lot nicer than the real guy.

Interstellar

Some cool stuff happens in Interstellar, but I didn't find it to be that engaging.

A lot of people seem to be into Intestellar. And Christopher Nolan. I don't know how I feel about him. I liked Inception at least. The plot of Interstellar didn't seem interesting to me when I saw the trailer. I was super distracted when I watched the movie, and it wasn't engaging enough to pull me in. Some cool stuff happens, but overall it's still just your basic plot of "the world is dying, this guy is humanity's last hope," which I'm apparently not into.

Her

"Her" kind of gets more interesting when you reflect on it. The relationship stuff is slightly profound, although it does mostly just make you think again about things you already knew or realized. It's cool to see an imagining of the near future and the evolution of AI, though.

I'm a bit late to the game on "Her," but I wasn't really interested in it. Everyone kept saying it was good, though, so I checked it out. I do like Joaquin Phoenix. Not sure what everyone's doing with the Chester mustache and the super high pants in this movie. I guess it makes sense – the wardrobe as a whole is kind of futuristic and at the same time reminiscent of the past, and fashion always references the past.

There are a lot of good quotes in the movie. Although I couldn't hear half of it, so I'd probably have a better feel for it if I had been able to. "The past is just a story we tell ourselves" is a good one. It is true. Nothing's objective; you never really know what other people's feelings or motives were. I read something once that said every time you remember something, you're actually just remembering the last time you remembered it, so the memories you think of the most are actually the least accurate.

And specifically Samantha was referring to how something Theodore said about her made her feel, which means she was actually talking about "our perceptions of ourselves are a story we tell ourselves," which is also true. I've always thought that you create your own reality, though.

Tinker Tailor Soldier Spy

Tinker Tailor Solider Spy is apparently about how pointless the Cold War was, or what a drag it is to be a spy, which doesn't exactly make for an enjoyable movie. It was interesting about half the time, though, and Gary Oldman's performance was great.

I wasn't interested in this when it came out; or before I watched it, frankly. I heard it was supposed to be good, but it just seemed boring. It did turn out to be about 50% boring. There were some parts where the suspense or storyline kicked in and it got interesting, mostly because of Tom Hardy or Gary Oldman.

It's All Gone Pete Tong

It's All Gone Pete Tong (which is about a DJ who goes deaf, if you haven't heard of it) is one of my favorite movies. It's not super deep, but it is funny and good-natured.

It's All Gone Pete Tong is one of my favorite movies, and I don't care if it is unrealistic and simple. This was either the second or third time I've seen it. Paul Kaye's eyes are so striking, and I love Frankie's whole "Ibiza" look. There are so many great lines in the first half of the movie.

A Clockwork Orange

A Clockwork Orange is one of my favorite movies (and books). I love the aesthetics, from the framing to the costumes. The dialogue is brilliant, especially the use of Nadsat. The soundtrack is amazing, and the plot is visceral and thought-provoking. Burgess' writing in combination with Kubrick's vision created something truly iconic.

This was the third time I've seen A Clockwork Orange. It's one of my favorite movies, and books. I love languages and different lingo, which is probably why I like it so much. There are so many lines that just strike a chord with me, maybe because they've been reinforced a few times.

Predestination

Predestination is based on a short story, and it shows. They added some things that weren't in the story, but it's not enough. The framework of the original idea is really all that's there, and it wasn't worth my time. I was expecting a flashier action/fantasy-type movie, and it turned out to be straight drama. 

The trailer for Predestination made it seem like it would be all futuristic, but a weird 40s-style future, and flashy and exciting with the way they do the time jumps, like an action/fantasy movie. But it was actually pure drama; borderline boring drama. It was such a narrative. I wasn't surprised at all to find out it was based on a short story. It had a real "short story" feel to it. I don't think they had enough here to make a movie out of, even though they added things that weren't in the story. I feel slightly disenfranchised being sold a movie that turned out to be a short story, now that I think about it.

Filth

The trailer for Filth makes it seem like it's going to be light-hearted, and while there are some funny moments, it's actually the most disturbingly depressing movie I've seen since Requiem for a Dream. James McAvoy delivers an impressive performance, but it's still tough to watch.

The trailer for Filth was pretty misleading. It makes it seem like it's going to be a funny movie about a guy who does some outrageous things, but there seems like there's a potential for him to change, which was what piqued my interest. It's actually about a severely mentally ill guy having a complete breakdown, and it's the most depressing movie I've seen since Requiem for a Dream. Movies like this should have with a disclaimer.

I love James McAvoy, but Filth was rough to watch even with him as the lead. He really does bring a lot to the character, though. He always pulls you in no matter what the role is, but in good performances like this (it reminds me of Heath Ledger as The Joker), it's always the small nuances, the facial expressions and mannerisms; it's not the over-the-top emotional stuff that makes the performance noteworthy.

I knew from the start I'd have to have subtitles on, and I was right. The accents and colloquialisms were Scottish, and they might as well have been speaking Spanish for all I could pick out on my own, which meant I had to read the movie about as much as I watched it. I probably missed out on some things, and I definitely didn't get to watch as much as I wanted to. Everything was shot super close-up; it felt really claustrophobic, and it didn't help that the subtitles were taking up a good portion of the screen.

Gravity

You don't see a lot of mundane movies about space, really. Gravity is interesting if you're into that kind of thing, and it does maintain a good level of tension. There are some nice shots, and the soundtrack is fine, but it's not that impressive overall. 

I wasn't really interested in Gravity, but it got so much hype, I had to watch it. I'm not a huge Sandra Bullock or space fan, but it wasn't so bad. She didn't really have a lot to do here, it seemed like. I was skeptical about watching her float around space in a space suit for an hour and a half, but luckily she gets out of the suit and does some other stuff inside spacecraft, too. It wasn't the most amazingly beautiful thing I've ever seen. There were some nice shots of the Earth, but if you've seen any of Chris Hadfield's pictures on tumblr, you've pretty much seen all there is to see (in fact, more interesting stuff than there was in Gravity). The score had some nice moments, but it was mostly unremarkable.

The Counselor

The Counselor looks good and the soundtrack is cool, but that's not enough of a reason to watch it. The plot is laid out poorly, and the dialogue is pretentious and out of place. Whatever they were going for didn't work. 

It's been two months since I've seen a movie. So much for my "one movie a week" plan. The Counselor was a really disappointing return to movies. I didn't get a clear idea from the trailer what the movie was even about, but it looked slick. Roeper really steered me wrong on it - I can't believe he gave it an A+! I should've checked it out on IMDb; they're closer to the mark with a rating of 5.5. The actual movie was a lot like the trailer. I had no idea what was going on a lot of the time, and some things still weren't clear by the end.

Hara-Kiri: Death of a Samurai

Miike's Hara-Kiri is beautifully directed, but it's also depressing, boring in parts, and not terribly original. 

I'm having a problem finding movies I'm interested in. I was watching the trailer for Blitz seeing if I could get into it enough to watch it, and I felt like I wanted to see something with swords. I had Hara-Kiri on my list of movies to watch, so I watched the trailer for that. I wasn't exactly sold, but I decided to go with it anyway. I wanted something with a little substance, even if I was running the risk of being bored.

Apparently, according to IMDb, the original was better. I didn't even know there was an original. I found out about the remake when I was looking through Ignatiy Vishnevetsky's reviews. He liked it, and I've always been interested in Miike's stuff. 13 Assassins was good, although everything before that was pretty crazy. I can't even believe I watched that stuff anymore. Supposedly the original draws you in more, and there's more dialogue between the father and the clan guy.

That would've been good, because my suspicions were right: I got bored, especially in the middle. I really lost interested when they took the focus away from the present-day stuff and started talking about how Hanshirô knew Motome. The cinematography was great, though. I loved the camerawork and the sets. It really was beautifully directed. I don't know why Miike shot it in 3D. That probably didn't add much, although it would've been a good effect with the falling snow. 

I liked the slow, deliberate pacing of the camera and people's movements, and the fact that we saw what happened to Motome and then afterward learned why it happened made it more interesting.

In the House

In the House was appropriately tense, and it had some interesting moments, but it all fell apart at the end and rendered the entire movie pointless.

It's been five months since I saw a movie I disliked as much as In the House, so I guess that's a good thing. I was interested in it based on the trailer, and I forgot to check and see if it was any good or not before I decided to watch it, but I probably would've watched it even if I had done my research. It's tough to watch movies in a foreign language. You have to read the whole time, and you miss out on getting to watch what's going on. French is cool, though. I didn't used to like it, but it's starting to grow on me.

3:10 to Yuma

Crowe and Bale both did an excellent job here. It drags a little toward the middle-end, but the ending is fairly satisfying.