Punch-Drunk Love

I liked Punch-Drunk Love when it first came out 17 years ago, and I watched it again to see what I would think of it now. It's not a movie for everybody, but it hits perfectly for me. I can totally identify with Barry. The soundtrack gets a bit obtrusive, and the plot isn't terribly realistic. But I love the humor, and the way his sisters act is a spot-on representation of how people really are.

I generally haven't hated Adam Sandler movies. I liked 50 First Dates. I liked Billy Madison, although I was nine when I saw it, so my opinion might change if I saw it again. I think he eventually went south with the dumb comedies, though, and I haven't seen him in anything for a long time.

I saw Punch-Drunk Love when it came out, but that was 17 years ago, which is insane to think about. I liked it then.

Synecdoche, New York

Synecdoche, New York follows the proud tradition of Charlie Kaufman movies that I don't enjoy. His characters are always unlikeable, and I can't get invested in them. There are a lot of things about it that could be funny if it weren't so depressing as a whole. I can appreciate it, but it's resoundingly not my thing.

2008 seems like a long time ago. It was only seven years. Maybe anything before 2010 registers as "a long time ago" for me. Charlie Kaufman is not my favorite writer. I could appreciate Being John Malkovich, but I didn't like it. I found the characters to be really unlikeable, which was the same problem I had with Eternal Sunshine of the Spotless Mind. I generally hate surrealism, and that movie is pretty out there. Plus if you don't like the characters, it's just really hard to be invested in what's going on.

Before the Devil Knows You're Dead

 There can be no hope in a movie that opens with a naked, sweaty Philip Seymour Hoffman doing someone doggy-style. None at all. Also, they managed to make Ethan Hawke look terrible. Albert Finney turned out to be a good actor, though. (I've never really seen him in anything else.) I really enjoyed the strategy they used for flashbacks, both introducing them and editing them in. It kept things interesting, always revealing more of the story without ever making you feel like you were missing out on something. It really is more of a melodrama than a thriller, and the commentary was quite interesting. More enjoyable than the movie, certainly.