Punch-Drunk Love

I liked Punch-Drunk Love when it first came out 17 years ago, and I watched it again to see what I would think of it now. It's not a movie for everybody, but it hits perfectly for me. I can totally identify with Barry. The soundtrack gets a bit obtrusive, and the plot isn't terribly realistic. But I love the humor, and the way his sisters act is a spot-on representation of how people really are.

I generally haven't hated Adam Sandler movies. I liked 50 First Dates. I liked Billy Madison, although I was nine when I saw it, so my opinion might change if I saw it again. I think he eventually went south with the dumb comedies, though, and I haven't seen him in anything for a long time.

I saw Punch-Drunk Love when it came out, but that was 17 years ago, which is insane to think about. I liked it then.

The Man Who Killed Don Quixote

The Man Who Killed Don Quixote is a cool movie, if you're in the mood for that sort of thing. The tone hits all the right notes; it's farsical and, dare I say, quixotic. Jonathan Pryce and Adam Driver bring a lot of charisma, and the side characters are interesting, too.

I read excerpts of Don Quixote in school, but I haven't read the entire thing. I remember liking it, though. I don't think I've watched anything Terry Gilliam has been involved with, other than Tristram Shandy, which I felt like was one of the worst movies I had ever seen.

Johnny Mnemonic

I'm too much of a William Gibson fan to not like Johnny Mnemonic, even if most of the acting is horrific. There are so many cool ideas, costumes, and characters, you just have to look past the line delivery.

I loved William Gibson's books in high school, although I don't actually remember them anymore. This was the second time I've seen Johnny Mnemonic. I did remember the book the first time I saw it, 11 years ago. I gave it a 3/5 then. I don't think I recognized how terrible *all* the acting was. I knew Keanu was bad, but this time I saw that everyone else was, too.

I still like the atmosphere and idea of it, the characters, and the costumes. They should do a remake with good actors. Keanu and Henry are atrocious. Everyone else is just flat. And some of the CG is really cheesy.

It definitely works a lot better if you've read the book. I still think all the stuff about implants and enhancements is cool, and the idea of the low-tech underground counterculture, and the whole "ghost in the machine" digital consciousness concept.

The Proposition

The Proposition is one of my favorite movies. Nick Cave's soundtrack is bewitching, and the landscapes are beautiful. All of the actors are great, and there’s so much depth to the characters. Everything about it is meticulous and nuanced. I’d dial back how graphic some of the violence is, but other than that, it's brilliant.

This is at least the third time I've seen The Proposition. I saw it when it came out, and it's one of my favorites. Apparently I don't even have a rating for the previous times I've seen it. I absolutely love it, though. It's great right from the beginning, when you've got everybody there -- Ray Winstone, Guy Pearce, and Mikey. And they start right away cutting to the landscapes, and Charlie on his horse. The visuals are so great the entire time -- the scenery, the composition, everything. It makes you feel like you're really there.

Snatch

Guy Ritchie might be my favorite director. I love his style, and it really shines here, more than in any other movie of his that I've seen. Snatch has a ton of good actors, all playing great characters. Each one contributes something, even if they’re only in a few scenes. It's consistently funny throughout, there's always something new and unexpected happening, and the way it all comes together is great.

I'm pretty sure I must have seen Snatch at some point. But I was only 14 when it came out, and I didn't remember it at all. I knew where the diamond ended up because I read a reference to it somewhere, but other than that and the fact that Brad Pitt played a gypsy, I didn't know anything about it.

I like Guy Ritchie's movies a lot, with the exception of Lock, Stock. Maybe I should watch it again. Or maybe not. Snatch seemed a lot like Rocknrolla and Layer Cake (not a Guy Ritchie movie), only a million times better. I don't know what the point of making Rocknrolla even was since he had already done Snatch. Lock, Stock would probably be similar enough that I wouldn't get anything out of it.
 
Snatch had me hooked right from the beginning. I love Jason Statham, although by the time I watched the second movie that I saw him in (The Bank Job, which incidentally, I didn't like him in), I had completely forgotten that he was in Snatch. To be fair, that was eight years later, which is a long time to remember an actor you've never seen in anything else.
 
But his character was great in Snatch. Although I didn't get why he needed to reference "zee Germans" three times. I loved his sidekick, too. I felt like I knew him from somewhere, but I don't think I really did, even though I've seen a few things that he's been in. I also felt like I had just seen the diamond guy and Brick Top as bad guys in similar movies, but apparently I hadn't.

Atomic Blonde

Atomic Blonde is probably the best movie I'll see all year, which is unfortunate since it's only February. It's directed by the same guy who did John Wick, and it has a similar feel. It's really a love letter to Charlize, Berlin, and a slick modern/future version of the '80s. The action is solid, there are some inspired song choices, and the cinematography is striking. I recommend seeing it on the big screen if you can.

I'm not a huge fan of Charlize Theron, but I don't think I've ever seen James McAvoy in a movie that I didn't like. And the action for Atomic Blonde looked like it would be cool. It turns out that it was directed by the same guy who did John Wick. I can see that.

The first 20 minutes of the movie are definitely the best. The first three songs that they play are great, the action is nice, it looks good overall, and the characters are interesting.

King Arthur: Legend of the Sword

You pretty much know the plot of King Arthur from the trailer – Arthur has to kill the evil king – and Guy Ritchie’s style doesn’t exactly mesh seamlessly with the genre and tone. But it’s fun to watch anyway; Charlie Hunnam is a charismatic lead, there are some great musical choices, and it looks amazing.

 
I like Guy Ritchie’s movies, and I knew I wanted to see  King Arthur: Legend of the Sword as soon as I saw the trailer. His style of dialogue doesn’t 100% mesh with the tone of the movie, but it wasn’t disastrous, and I like it, anyway. It was kind of funny to see them setting up the assassination attempt like a heist. The whole “here’s what everybody’s going to say” schtick isn’t my favorite, though.

Strange Days

This was either my third or fourth time watching Strange Days. It might just be because I first saw it when I was young and unjaded, or because I love William Gibson’s stuff and it’s cool seeing it come to life, but it’s still one of my favorite movies. The dystopian cyberpunk atmosphere is great; there’s romance and action; all of the characters are compelling; and Ralph Fiennes’ performance totally steals the show.

This was either my third or fourth time seeing Strange Days, and I still love it, even if it does look dated as hell these days. I wonder if someone who hadn’t read William Gibson’s stuff would have the same affinity for it, though. There’s just something cool about seeing something you read about being brought to life. The whole cyberpunk dystopian atmosphere is great.

Song of the Sea

Song of the Sea is the best movie I've seen this year. The animation style is unique and captivating; the main characters are surprisingly charismatic for being animated children; and the plot is both whimsical and poignant.

I knew about Song of the Sea when it came out, but it didn't seem like anything I needed to see. I was skeptical about the animation style when I first started watching it, but it got better, and I wound up liking it a lot. It's one of those styles that kind of becomes a character of its own.

Pacific Rim

I would've enjoyed Pacific Rim more if it weren't for some weird logic issues, but it was still fun. You pretty much know what you're getting into – it's mecha fighting Godzilla monsters. The characters are engaging, the plot kept me interested, and it's Guillermo del Toro, so you know it's going to look good.

I wasn't interested in Pacific Rim when it came out, but somehow two years later, I decided I should see it. I was expecting Josh Duhamel for some reason. I guess he's in Transformers, which some of the fights in Pacific Rim actually did remind me of. Raleigh looked a lot like Chuck, who naturally looked a lot like Herc. I didn't get them confused or anything, but it seemed weird that they would have so many characters were so similar. I didn't figure out that Chuck was Herc's son until near the end of the movie. I did actually have a bit of trouble figuring out who was who and what was going on with Chuck and Herc.

The Man from U.N.C.L.E.

Maybe because I had low expectations going into it, and/or maybe because I just like Henry Cavill and Armie Hammer, I thought The Man from U.N.C.L.E. was brilliant. There are so many hilarious scenes, and the timing and delivery of the lines is (frequently, although not always) dead on. The plot is less than inspired, but it looks slick, and the soundtrack really stands out.

I didn't have high hopes for The Man from U.N.C.L.E. It got pretty mixed reviews. People like to pick on Guy Ritchie for some reason. I liked Snatch, and I wasn't impressed with Lock, Stock, although I can't remember either movie anymore at this point. But Sherlock Holmes was great. I need to see RocknRolla. I wanted to see The Man in the theater, but circumstances prevented me from doing it, the first time it came in from the library I flat out didn't have time to watch it, so I've been wanting to see it for forever.

I *thought* I hadn't ever seen Henry Cavill in anything until I just checked and found out he was the super hot guy from The Tudors. He's still super hot, and I love his voice. Solo reminded me a lot of Neal from White Collar. They're basically the same guy - a thief who got caught and is now working for the government. Although Neal wasn't in the Army. Henry's acting wasn't exactly perfect. There was something a little *too* mannered/deliberate/campy about it. But it did work most of the time. 

The only thing I'd ever seen Armie Hammer in was The Lone Ranger, but he was great in that. So I was basically just interested in The Man because of the two lead guys. And the trailer had some great lines. I liked the idea of these two guys who hate each other having to work together. I'm sure it's not the first time it's ever been done, but it looked interesting anyway. It was really tough at first to buy Armie as a Russian guy, though. I don't know how authentic his accent was, but I just kept thinking, "this guy isn't Russian and I know it." He and Henry did absolutely kill it a lot of the time in terms of comedic timing/delivery/tone, though.

It's All Gone Pete Tong

It's All Gone Pete Tong (which is about a DJ who goes deaf, if you haven't heard of it) is one of my favorite movies. It's not super deep, but it is funny and good-natured.

It's All Gone Pete Tong is one of my favorite movies, and I don't care if it is unrealistic and simple. This was either the second or third time I've seen it. Paul Kaye's eyes are so striking, and I love Frankie's whole "Ibiza" look. There are so many great lines in the first half of the movie.

A Clockwork Orange

A Clockwork Orange is one of my favorite movies (and books). I love the aesthetics, from the framing to the costumes. The dialogue is brilliant, especially the use of Nadsat. The soundtrack is amazing, and the plot is visceral and thought-provoking. Burgess' writing in combination with Kubrick's vision created something truly iconic.

This was the third time I've seen A Clockwork Orange. It's one of my favorite movies, and books. I love languages and different lingo, which is probably why I like it so much. There are so many lines that just strike a chord with me, maybe because they've been reinforced a few times.

Inherent Vice

 Inherent Vice is one of the best movies I've seen in a long time. Josh Brolin, Joaquin, and Benicio all give standout performances. It's definitely confusing, it does drag on a bit, and the ending isn't completely perfect, but the humor is so refreshing and spot-on that I'm giving it 4.5/5.
Inherent Vice looked interesting from the trailer. I don't remember what Roeper said about it, but he gave it a B, so I guess he didn't hate it. I think Chris liked it more after thinking about it than he did right after he saw it. All that put together, and I still wanted to give it a shot, but I went in prepared to just enjoy the ride and not have everything wrapped up at the end.

I was surprised by how funny it was. It's subtle humor; they don't beat you over the head with it, but it's good. I'd say it's the funniest movie I've seen in a year, so that should count for something. I love that they shot it on actual film. It looks amazing; it has character without looking dated - although since it is set in the 70s, you could probably allow some dated-ness leeway. I liked how most of the women didn't look like they were wearing makeup. They all looked clean and natural. I'm sure they were wearing some makeup, but it just wasn't over-the-top like usual.

John Wick

John Wick is a lot of fun. The soundtrack adds just the right energy, the composition is interesting both in terms of lighting and blocking, there's some cool stuff going on with the action, and Keanu doesn't have too many opportunities to ruin scenes with his signature brain-dead delivery. 

John Wick looked like a cool movie from the trailer; there were some standout action sequences that made it seem like it would be unique, and I was hoping Keanu Reeves' acting wouldn't ruin this movie like it did Johnny Mnemonic. His delivery in the trailer was pretty terrible. One of his first scenes in the movie is with Willem Dafoe, and the contrast between their levels of acting is crazy. It's like Keanu is reading off of cue cards and Willem is just an actual person saying something.

Luckily Keanu doesn't have a lot of dialogue. He's primarily just doing stunts, most of which he apparently performed himself, so that's cool. I always get a little lost with close combat. It's tough to tell what's going on, and these fight scenes were no exception. I wish I could've seen it in the theater; a bigger screen might have helped, but it didn't come to the cheap theater. It seems like they only get kids' movies anymore.

The soundtrack was great. It sounded good, it fit what was going on, and it added just the right kind of energy. The composition was great, too, both in terms of lighting/colors and blocking/framing. The sets were gorgeous, and the neon overhead shots of New York were cool. John's house was actually designed to be an art gallery, so it had lots of windows and light, and it looked perfect. The art director said he wanted something everyone would want to live in, and he really hit the mark.

Everything was super sleek and opulent for the whole movie. John's suit looked great. The wacky subtitles were a misfire. I don't know if they were going for a comic-book feel or just trying to do something different, but it was just annoyingly distracting. The different sizes and placements just weren't necessary. There's nothing wrong with regular subtitles.

The Mortal Instruments: City of Bones

I really enjoyed The Mortal Instruments, but that might just be because I like Jonathan Rhys Meyers, the male lead looked cool, and I love fantasy worlds. There are a lot of things I wish they had gone into more detail about, it does drag at the beginning, and I can't argue with the "lame teeny-bopper love story" criticism.

I was beginning to think there were no more good movies out there, after my recent string of terrible movies. I took a gamble on Syrup even though the reviews were terrible, and it didn't pay off. The reviews for The Mortal Instruments were about the same, so I was hesitant about it. Then I found out Jonathan Rhys Meyers was in it, and I figured I'd probably like it no matter how bad it was. It turns out he's not even there for the first hour and a half of the movie, but luckily I still liked it, anyway.

I love different mythologies people create, and learning about how different versions of the world operate. I like finding out people's interpretations of standard creatures; vampires, werewolves, zombies, whatever.

At first I was put off by Clary's ridiculous eyebrows. They're so thick and dark, and they don't match her hair at all. I guess that's supposed to be her natural color, since her hair's the same color in flashbacks to when she was a kid, and her mom sort of has the same hair color, too. But the eyebrows don't match! Clary is a weird name, too. I'm not a fan of it at all.

Then I was put off by Lena Headey being in it. Apparently I've seen her in a few movies, but she wasn't a recognizable actress for me until Game of Thrones, so now she's just always Cersei, and I don't like her.

The Berlin File

 If you know Korean, you should definitely watch The Berlin File. Otherwise, it's probably going to be confusing. I didn't know what was going on at least half the time, but there was some cool action/spy stuff, and the plot reveal was satisfying. 

I was interested in The Berlin File after I saw the trailer for it, but Roeper never reviewed it, so I had to rely on IMDb. It was rated 6.6, so that was inconclusive, but the top reviewer liked it, so that was good enough for me. It turned out to be insanely confusing. I think you have to watch it twice if you don't speak Korean. They showed text with people's names/professions when we first saw them at the beginning, but it didn't help at all; there wasn't time to commit any part of that to memory, and then I spent the entire rest of the movie just trying to figure out who was who/what was going on.

That made it more satisfying when it was all revealed at the end, though. Every bit of information I managed to figure out was a triumph. It didn't help that there were North Koreans and South Koreans that were all Korean. At least Myeong-soo Dong was wearing a hat for a while so I could get a handle on who he was.

The Heat

There were a couple scenes in The Heat that weren't funny, and Sandra Bullock's face is a disaster, but Melissa McCarthy carried the movie and kept me laughing entire way through. 

I thought the trailer for The Heat was funny enough, but I figured the movie would be pretty dopey, and I wasn't interested in seeing it. Everybody seemed to like it after it came out, though, and Roeper gave it a good review, so I didn't want to miss out. I'm definitely glad I saw it. It was just as funny as the trailer, and unlike so many movies, it didn't have all the good jokes in the trailer. There were tons of good jokes for the whole movie, not just the three or four you see in the trailer. And the director says in the commentary that he likes to put alternate stuff in the trailer so there's new stuff to see when you watch the movie, so there you go.

The first thing I noticed in the movie was that Sandra Bullock looks terrible. It's like she went to her plastic surgeon and said "give me the Michael Jackson." I'm so glad I didn't see this in the theater. It would've been like Sylvester Stallone in The Expendables all over again. Blech. I can kind of relate to Ashburn, though.

Kiss of the Damned

Kiss of the Damned has great cinematography and music, but the writing and acting really bring it down. 

When I saw the trailer for this movie, I loved the music, and I like Milo from Gilmore Girls, so I was pretty much hooked. Roeper didn't review it, but at least one person on IMDb said it wasn't terrible, so I watched it. It turned out to be pretty interesting. The best part about it is the music. It's really good. All the songs fit the scenes perfectly, and the parts of it that are original score are amazing.

Hanna

Hanna was a great movie. The score adds an entire dimension to the experience, the villains are great, and the action is solid. It's got some major plot holes, but it wasn't intended to be taken seriously.

Hanna: probably not the last in the long line of movies I wanted to see, then decided I didn't need to see after all, then decided to watch after seeing Roeper's review. I'm glad I saw this one. The action sequences were great. I loved Tom Hollander's character. He was so interesting. The Chemical Brothers did a great job with the score. It added a whole dimension to the movie. Cate Blanchett was a superb villain, too. I loved all the languages and accents.