Showing posts with label foreign. Show all posts
Showing posts with label foreign. Show all posts

The Proposition

The Proposition is one of my favorite movies. Nick Cave's soundtrack is bewitching, and the landscapes are beautiful. All of the actors are great, and there’s so much depth to the characters. Everything about it is meticulous and nuanced. I’d dial back how graphic some of the violence is, but other than that, it's brilliant.

This is at least the third time I've seen The Proposition. I saw it when it came out, and it's one of my favorites. Apparently I don't even have a rating for the previous times I've seen it. I absolutely love it, though. It's great right from the beginning, when you've got everybody there -- Ray Winstone, Guy Pearce, and Mikey. And they start right away cutting to the landscapes, and Charlie on his horse. The visuals are so great the entire time -- the scenery, the composition, everything. It makes you feel like you're really there.

Snatch

Guy Ritchie might be my favorite director. I love his style, and it really shines here, more than in any other movie of his that I've seen. Snatch has a ton of good actors, all playing great characters. Each one contributes something, even if they’re only in a few scenes. It's consistently funny throughout, there's always something new and unexpected happening, and the way it all comes together is great.

I'm pretty sure I must have seen Snatch at some point. But I was only 14 when it came out, and I didn't remember it at all. I knew where the diamond ended up because I read a reference to it somewhere, but other than that and the fact that Brad Pitt played a gypsy, I didn't know anything about it.

I like Guy Ritchie's movies a lot, with the exception of Lock, Stock. Maybe I should watch it again. Or maybe not. Snatch seemed a lot like Rocknrolla and Layer Cake (not a Guy Ritchie movie), only a million times better. I don't know what the point of making Rocknrolla even was since he had already done Snatch.
Lock, Stock would probably be similar enough that I wouldn't get anything out of it.
 

Snatch had me hooked right from the beginning. I love Jason Statham, although by the time I watched the second movie that I saw him in (The Bank Job, which incidentally, I didn't like him in), I had completely forgotten that he was in Snatch. To be fair, that was eight years later, which is a long time to remember an actor you've never seen in anything else.
 

But his character was great in Snatch. Although I didn't get why he needed to reference "zee Germans" three times. I loved his sidekick, too. I felt like I knew him from somewhere, but I don't think I really did, even though I've seen a few things that he's been in. I also felt like I had just seen the diamond guy and Brick Top as bad guys in similar movies, but apparently I hadn't.

The Beaches of Agnes


Beaches of Anges really gives you a feel for who Agnes Varda is. I loved listening to the way she narrates this documentary about her life, and seeing all the fanciful, whimsical images she comes up with.

Beaches of Agnes is basically about Agnes Varda remembering some stuff that happened to her around beaches. I just like Agnes Varda. It's interesting to see the things that she comes up with. They're so fanciful and whimsical. The mirrors at the beach at the beginning are so cool.

What We Do in the Shadows

I liked Flight of the Conchords, but What We Do in the Shadows is profoundly not my thing.

I liked Flight of the Conchords, but I didn't have any interest in seeing What We Do in the Shadows. The version I watched wound up having the opening text in a language that was similar to German, so I missed out on a bit of context there, but looking it up now, I see that it wasn't critically important.

I'm starting to think that Taika's sense of humor just isn't my thing. There's something off about it. It's sort of flat, and cringey, and not funny.


Faces Places

Faces Places is an enchanting French documentary about the beauty of life and everyday people. It's not exactly thrilling, but it's worth seeing.

I've seen 13 documentaries, and Faces Places is only the third that's gotten at least 3/5. So you could practically call it a 5, relatively speaking. I like the idea of it. Agnes and JR are such an unlikely couple. I like the way the narrative is laid out, starting with how they met each other first through their art. I liked the narration of them reminiscing about their travels.

It was cool getting to see different people and places in France. The pictures looked neat on the buildings and things, too. Kind of reminded me of Banksy's work. The score was great. It turns out Agnes was very involved in making it. She also did the editing. So in a lot of ways, it was really her movie. 

My Neighbor Totoro

My Neighbor Totoro is super simple. It's pleasant enough to watch, but I wouldn't exactly call it a must-see.

I've been wanting to see My Neighbor Totoro for a long time, and I finally did it. Out of the five or so Miyazaki movies I've seen, it's definitely the simplest. Totoro himself is kind of creepy. He roars a lot, and his teeth are disturbing. The scene with him standing in the rain with the leaf on his head, holding an umbrella, is pretty iconic, though. The cat bus was creepy, too. And Mei was really weird-looking. That was hard to get past. I liked how there was a musical cue for everything that happened, though, like even a butterfly flying around.

11 Minutes

11 Minutes isn't exactly fun to watch. It does succeed in creating a feeling of tension, but I'm not sure that really pays off.

11 minutes is a Polish movie. The concept is that you see the same 11 minutes from the perspective of several different people. It opens with sort of "found footage" of cell phone and security cameras. I was kind of concerned that it was going to stay that way, but luckily it switches to regular camerawork fairly quickly.

It's a weird movie. It's super confusing trying to figure out what's going on all the time. The score is frequently abrasive and unnerving. There's some kind of black spot in the sky that's never explained. And there's always just a general feeling of tension.


I wonder what the movie is trying to say, exactly. I wish there were a commentary for it. It would probably be interesting to go back and watch it again, being able to understand more about it.
It does get some "interesting" points just for being set in Warsaw. I always like to see things in different countries.

Science Fiction Volume One: The Osiris Child

The acting and the dialogue in Science Fiction Volume One: The Osiris Child aren't always the greatest, but I enjoyed it anyway.

I didn't know that Science Fiction Volume One: The Osiris Child was a small-budget movie. I just saw a trailer for it and thought it looked interesting. The trailer kind of misrepresents what it is. It basically shows the first 10 minutes of the movie, but there's a lot more to it than that.

The timeline is kind of crazy. It's all over the place. But I liked it. It kept things interesting. And I liked the chapter headings. The only thing that didn't work at all was the slo-mo during the jail fight. That was super weird.


In Order of Disappearance

In Order of Disappearance isn't flashy, but it has a certain novelty factor just by virtue of being Norwegian, and it is interesting to watch how everything plays out.

In Order of Disappearance wasn’t supposed to be very good, but I wanted to see it anyway. I watched it on Netflix, and at first the sound didn’t sync up with the video at all, and it was really confusing. But then we figured out that was the dubbed version, and luckily we were able to change it to “Norwegian audio, English subtitles,” which was a lot better.

Okja

Okja is definitely a touching movie, but the tone was off, and a lot of the characters were like caricatures. I could never quite get into it.

Okja is a weird movie. It’s about a genetically modified “super pig” that looks like a giant hippo. It gets raised by a little girl in the forest for ten years, and then the company that made it wants it back. The characters are super odd. They’re like caricatures. I didn’t particularly enjoy Tilda’s performance as twin sisters – which by the way, is she typecast into only playing twins now? And Jake was super bizarre as the doctor.

Kiki’s Delivery Service

There’s nothing really spectacular about Kiki’s Delivery Service, but it holds up well for something that’s 27 years old, and it’s interesting seeing how everything plays out.

Kiki’s Delivery Service holds up pretty well for a movie that’s old as hell. I didn’t have any idea it was so old when I watched it. It’s weird that they translated the term to “witch.” I guess it makes sense with the broom and the familiar and the black and everything. But it sounded like they were saying something more like “mage.” I feel like there’s probably a more positive term they could have used/could have been using other than “witch.” I’m sure the dialogue as a whole was better in Japanese. It’s always a bit weird in the subtitles.

Layer Cake

Layer Cake is your typical crime movie, but there are some interesting shots, characters, and events here and there, so it's worth watching if that's your thing.

Off to a slow start this year with only one movie a month so far. I don't know if I've ever actually known anyone who liked Layer Cake, but it's a name you hear thrown around, so I figured I should see it. I didn't know anything about it, but I do like Daniel Craig. His eyes are crazy blue. I wound up turning the subtitles on about a third of the way through, which I probably should've done to begin with, because it helped a lot.

Kill Zone 2

Kill Zone 2 had potential, but the plot is pretty atrocious. It looks okay, though, and some of the action is interesting.

The trailer for Kill Zone 2 made it look interesting (I think half of my reviews start this way). IMDb said the plot wasn't good, but the action was, so I went ahead and saw it. IMDb was accurate. The plot is pretty atrocious, but the action is interesting. Tony Jaa is fun to watch, and Jing Wu was good, too. Some of the dialogue probably came across better in the original language.

I'm really starting to hate breaking windows. I haven't seen it done well in so long. Luckily that wasn't a main feature here. There should have been more action. There were some long stretches without it, and they were terrible. I didn't like how it was mostly realistic action, and every now and then someone would do a wire stunt that stood out like a sore thumb.


Song of the Sea

Song of the Sea is the best movie I've seen this year. The animation style is unique and captivating; the main characters are surprisingly charismatic for being animated children; and the plot is both whimsical and poignant.

I knew about Song of the Sea when it came out, but it didn't seem like anything I needed to see. I was skeptical about the animation style when I first started watching it, but it got better, and I wound up liking it a lot. It's one of those styles that kind of becomes a character of its own.

The Raid: Redemption

There are some interesting action pieces in The Raid: Redemption, but the tone is way off, and it feels more like a first writing/directorial effort than the third that it is.

A friend recommended The Raid about a year ago, and I just got around to watching it. I usually don't like the same things he does, but I figured you couldn't go wrong with a pure action movie. The tone was pretty weird. The director said in the commentary that he was going for kind of a horror/suspense vibe, which I didn't get at all, and a lot of the scenes he thought were funny didn't come across that way to me. So it just seemed really uneven and amateur.

This was the writer/director's third movie. It comes off more like a first. The title makes it seem like it's a sequel. It's actually not, but there is a sequel out now. I'd kind of like to see it to find out if he was able to learn anything from this one/improve the next one. Somebody else did the screenplay for the sequel, so that could potentially help.


RocknRolla

RocknRolla is a fun movie. I guess the plot is sort of original, but it mainly gets by on the likeability of the characters.

I guess I can officially say I like Guy Ritchie's stuff. The Man from U.N.C.L.E was great, and I liked Sherlock Holmes and Snatch (although I no longer remember the latter). RocknRolla really pulls you in. It's engaging right from the start, and the characters are all likeable. It's interesting how little Mumbles and One Two want to hurt people, considering their line of work.

Rise of the Legend


There are some cool ideas in Rise of the Legend, but they aren't carried out well. The action looks fake, there's a bizarre fascination with poorly done CG fire, and the plot is dull.

I keep watching these Well Go movies, and they're always terrible, but for some reason that doesn't stop me. I saw the trailer for Rise of the Legend, and I thought it might have some interesting action scenes. I guess it did. There was one in water that was kind of cool. And I liked the idea of the fire one more than anything that really happened during it. The dialogue was horrendous, but I think that was partially the fault of whoever did the subtitles. The story probably would have been better if it had been translated differently. All the "F" names were confusing, with Fei and Fiery and Fa, and the first time I saw them I wondered if the subtitles were just messed up (they did refer to Fei as the "forth adopted son" for the entire time). 

I didn't recognize Eddie Peng from Tai Chi Hero at all. He seemed a lot better-looking in this movie than that one. Maybe he was just surrounded by people who weren't as good-looking in this one, though. Overall the action was pretty flat. It all seemed super fake. Even the giant "thoom" sound effect every time somebody got kicked was a bit much. 

Nausicaä of the Valley of the Wind

Miyazaki's movies all seem to match the same theme of "stop fighting and respect nature," and Nausicaä of the Valley of the Wind is no exception. It is visually interesting, and you can't help but like Nausicaä, so I'd lean towards recommending it even though it's not exactly mind-blowing.

I'm pretty sure my college boyfriend liked Nausicaä, but it's been so long since I've thought about it that I could be totally wrong. I wanted to watch My Neighbor Totoro, which I haven't seen yet, but the plot was too simple for my company and they chose Nausicaä instead. It reminded me a lot of Princess Mononoke. I did like Nausicaä more, though. Except for the name. They pronounce it so weird, with an "sh" for the "s." I do like the animation style, although the hats were really distracting and weird.

Nausicaä herself was a cool character. I liked her outfit. You can't *not* like someone who's basically just nice to everyone/everyone's hero. Again the message is super heavy-handed, though. "Stop fighting and try to understand each other." Okay. I guess it's a good thing to tell kids.

Cave of Forgotten Dreams

Cave of Forgotten Dreams is Werner Herzog's look at the oldest known cave paintings. It's intriguing just from the perspective of the fact that basically no one ever gets to see them in person. He explores some other facets of life back then, like the landscape and other forms of art, so it's not only about the paintings. It's interesting to think about.

I wasn't interested in Cave of Forgotten Dreams when it came out, but someone (hi, ZT) said it "literally (literally)" blew their mind, so I figured I'd check it out. I watched the same way I always watch documentaries – in 10-minute intervals over the course of a day. It's a little slow sometimes. And it bugged me when they were first exploring and getting lots of shots of them shining lights on the drawings that were so bright that you couldn't actually see the drawings. But they eventually stopped doing that.

The World of Kanako

The World of Kanako is basically about drugs, rape, violence, mental illness...all kinds of gritty stuff. But the cinematography and soundtrack are beautiful, and I was captivated watching it play out.

The World of Kanako is a pretty crazy movie, but I'm generally into that kind of thing. I love how it hits you right out of the gate with violence; it's all stylized, and really well done. The movie as a whole looks great.

The music stood out, too, especially the parts when it was punctuating something happening on screen, like when it stopped in the middle of the scene with Matsunaga. The animated scene was great, especially the way it ended with the doorbell ringing. I liked the blood-splattered cuts anytime someone attacked Akikazu. Speaking of which, that guy was a superhero - he could really take a beating.