A Quiet Place

The concept of A Quiet Place is great, and I'd love to see it executed without the characters constantly making maddeningly thoughtless choices.

I have a lot of problems with A Quiet Place. First, the fact that the family didn't really seem to understand the importance of staying quiet.

The Usual Suspects

The Usual Suspects was alright. It was interesting seeing how things played out, and I liked the ending, even if it was a little confusing.

The Usual Suspects came out 20 years ago, but somehow I never saw it. Now it's weird because of Kevin Spacey. It makes you look at things in a different light. His character comes off as pretty weird/creepy, and it turns out that he actually is creepy.

They wore really oversized suits in the 90s. The musical cues were super oldschool and distracting. They really liked doing shots of two characters in profile. Benicio del Toro was practically unrecognizable. I liked Stephen Baldwin's performance, for some reason. I don't think I've ever actually seen him in anything.

Dark City

Dark City is super weird and unique, but in a way that still holds together and makes sense. You don't hear much about it, but it feels like a classic that everyone should see.

I had a hard time finding the theatrical release of Dark City. I own the DVD, but for some reason I only know where the case is, and not the disc. You can only torrent the director's cut. The library catalog lists only the theatrical release, but when you get it, it turns out to be the director's cut.

I thought it would be easy to rent it from YouTube, but it took me an hour to get it to work on my Apple TV, only to find out that that's the director's cut, too. So I rented the theatrical version from iTunes, and spent another hour getting *that* to play. And then realized after I saw the movie that I should have kept the library version so I could a. see the differences in the director's cut and b. hear the commentary. But I don't have it in me to request it again and wait another six months for it to come in.

You don't hear a lot about Dark City. I really only knew about it because I had a friend that liked it. The movie is super weird. I feel like everybody should see it just to have the experience.

Moon

I can't really say that I *liked* Moon, but seeing how things played out was interesting.

It seems like everybody I know has seen Moon. Somehow I didn't hear anything about it until seven years after it came out. I didn't really know what to expect. All I knew about it was basically "a guy on a space station, something something AI."

The Departed

The Departed is a bit dated, but the acting is good, and I guess it’s interesting enough, if you like that kind of thing.

I had always heard that The Departed was good, but I wasn’t interested in it. Now that I finally got around to seeing it, it seems kind of dated, but I guess that’s what happens when you watch something that’s a decade old.

The Raid: Redemption

There are some interesting action pieces in The Raid: Redemption, but the tone is way off, and it feels more like a first writing/directorial effort than the third that it is.

A friend recommended The Raid about a year ago, and I just got around to watching it. I usually don't like the same things he does, but I figured you couldn't go wrong with a pure action movie. The tone was pretty weird. The director said in the commentary that he was going for kind of a horror/suspense vibe, which I didn't get at all, and a lot of the scenes he thought were funny didn't come across that way to me. So it just seemed really uneven and amateur.

This was the writer/director's third movie. It comes off more like a first. The title makes it seem like it's a sequel. It's actually not, but there is a sequel out now. I'd kind of like to see it to find out if he was able to learn anything from this one/improve the next one. Somebody else did the screenplay for the sequel, so that could potentially help.

Tinker Tailor Soldier Spy

Tinker Tailor Solider Spy is apparently about how pointless the Cold War was, or what a drag it is to be a spy, which doesn't exactly make for an enjoyable movie. It was interesting about half the time, though, and Gary Oldman's performance was great.

I wasn't interested in this when it came out; or before I watched it, frankly. I heard it was supposed to be good, but it just seemed boring. It did turn out to be about 50% boring. There were some parts where the suspense or storyline kicked in and it got interesting, mostly because of Tom Hardy or Gary Oldman.

In the House

In the House was appropriately tense, and it had some interesting moments, but it all fell apart at the end and rendered the entire movie pointless.

It's been five months since I saw a movie I disliked as much as In the House, so I guess that's a good thing. I was interested in it based on the trailer, and I forgot to check and see if it was any good or not before I decided to watch it, but I probably would've watched it even if I had done my research. It's tough to watch movies in a foreign language. You have to read the whole time, and you miss out on getting to watch what's going on. French is cool, though. I didn't used to like it, but it's starting to grow on me.

Argo

Argo has a few too many added Hollywood components and the best lines are given away in the trailer, but it's still engaging and interesting most of the time.

Argo is one of those movies where all the best lines are in the trailer. The rest of the movie is still interesting, but I wish they hadn't done that. I understand that you want to sell people on the movie, so you want to show them the best stuff, but it would be nice if they could leave some good stuff to be discovered when you watch the movie, too.

The camerawork was good, and there were a lot of good actors doing good work, like Bryan Cranston and John Goodman. I liked that it was a period piece.

Memento

It has enough cool aspects to earn a solid 3, but it's sad.

 I had to watch something solo today. I couldn't find any of the movies I actually wanted. I checked Xfinity free stuff (there is nothing there I will ever want to watch), Hulu, and Netflix to no avail. I was puttering around my last resort, Hulu, when I saw they had Memento. I had seen it earlier in my search, on my "to watch" list, but I'd long passed the point when I actually wanted to watch it, so I hadn't bothered to see if I could find it anywhere. But, seeing it there on Hulu, I remembered what it was actually about, and I decided it was time to see it, if only to finally be able to say I had.

Guy Pearce is awesome. One of my favorite actors, for sure. I don't think I liked Memento, though. There were a lot of twists, and parts of it were interesting. I liked some of the themes, and the dialogue was stellar in parts. But parts of it also lagged, and it was a bit of a downer. It's slightly reminiscent of The Salton Sea, in ways, but I liked that movie a lot more.

Inglourious Basterds

Quarantine

I had to see it because I saw the trailer two or three times and I wanted to know what the secret was. The part before they get to the apartment building was dreadful, but there was stuff that made it interesting later, and I found it to be appropriately suspenseful.

The Happening

There were a couple of creepy moments, but it was mostly bad acting and writing.

Zodiac

Despite the fact that this version is much better than The Zodiac, I didn't nearly fall asleep during The Zodiac like I did while watching this. The aesthetics here are more interesting, as is the tack of focusing less on the killings and more on the people affected by them. It also has a more solid, satisfying ending.

The Zodiac

I watched this for an hour before I began to seriously question my assumption that it involved Jake Gyllenhaal. It wasn't bad, but of course there can't be a satisfying ending.

The Number 23

The Village

I would've liked to've seen this without knowing the ending ahead of time.