Showing posts with label sad. Show all posts
Showing posts with label sad. Show all posts

The Ballard of Buster Scruggs

There are some interesting themes and visuals in The Ballad of Buster Scruggs, and of course a lot of great actors, but overall, it's just not my thing.

The Coen Brothers are hit or miss with me, and The Ballard of Buster Scruggs falls squarely in the category of "meh."

The Proposition

The Proposition is one of my favorite movies. Nick Cave's soundtrack is bewitching, and the landscapes are beautiful. All of the actors are great, and there’s so much depth to the characters. Everything about it is meticulous and nuanced. I’d dial back how graphic some of the violence is, but other than that, it's brilliant.

This is at least the third time I've seen The Proposition. I saw it when it came out, and it's one of my favorites. Apparently I don't even have a rating for the previous times I've seen it. I absolutely love it, though. It's great right from the beginning, when you've got everybody there -- Ray Winstone, Guy Pearce, and Mikey. And they start right away cutting to the landscapes, and Charlie on his horse. The visuals are so great the entire time -- the scenery, the composition, everything. It makes you feel like you're really there.

Dancer

Dancer (aptly titled since that’s all the subject is, having no room in his life for anything additional) is pretty sad, but I guess it’s kind of interesting, and at least it ends on a hopeful note.


I read a review for Dancer and checked out Sergei’s “Take Me to Church” performance, which is pretty amazing, and decided the movie might be interesting to watch. It was kind of interesting. And also kind of boring. And also sad.


Sky Ladder: The Art of Cai Guo-Qiang

Sky Ladder: The Art of Cai Guo-Qiang is kind of frustrating in how it just skims the surface of Cai and his art, but it's still interesting to watch.

I read a review of Sky Ladder on Ebert's website, and it sounded interesting. Unfortunately, the review pretty much laid out the entire movie. The movie seemed to just kind of skim over the surface of things. It didn't go in-depth on much. I guess it really was mostly about the Sky Ladder project, which is a pretty weird project.

Filth

The trailer for Filth makes it seem like it's going to be light-hearted, and while there are some funny moments, it's actually the most disturbingly depressing movie I've seen since Requiem for a Dream. James McAvoy delivers an impressive performance, but it's still tough to watch.

The trailer for Filth was pretty misleading. It makes it seem like it's going to be a funny movie about a guy who does some outrageous things, but there seems like there's a potential for him to change, which was what piqued my interest. It's actually about a severely mentally ill guy having a complete breakdown, and it's the most depressing movie I've seen since Requiem for a Dream. Movies like this should have with a disclaimer.

I love James McAvoy, but Filth was rough to watch even with him as the lead. He really does bring a lot to the character, though. He always pulls you in no matter what the role is, but in good performances like this (it reminds me of Heath Ledger as The Joker), it's always the small nuances, the facial expressions and mannerisms; it's not the over-the-top emotional stuff that makes the performance noteworthy.

I knew from the start I'd have to have subtitles on, and I was right. The accents and colloquialisms were Scottish, and they might as well have been speaking Spanish for all I could pick out on my own, which meant I had to read the movie about as much as I watched it. I probably missed out on some things, and I definitely didn't get to watch as much as I wanted to. Everything was shot super close-up; it felt really claustrophobic, and it didn't help that the subtitles were taking up a good portion of the screen.

Hara-Kiri: Death of a Samurai


Miike's Hara-Kiri is beautifully directed, but it's also depressing, boring in parts, and not terribly original. 

I'm having a problem finding movies I'm interested in. I was watching the trailer for Blitz seeing if I could get into it enough to watch it, and I felt like I wanted to see something with swords. I had Hara-Kiri on my list of movies to watch, so I watched the trailer for that. I wasn't exactly sold, but I decided to go with it anyway. I wanted something with a little substance, even if I was running the risk of being bored.

Apparently, according to IMDb, the original was better. I didn't even know there was an original. I found out about the remake when I was looking through Ignatiy Vishnevetsky's reviews. He liked it, and I've always been interested in Miike's stuff. 13 Assassins was good, although everything before that was pretty crazy. I can't even believe I watched that stuff anymore. Supposedly the original draws you in more, and there's more dialogue between the father and the clan guy.

That would've been good, because my suspicions were right: I got bored, especially in the middle. I really lost interested when they took the focus away from the present-day stuff and started talking about how Hanshirô knew Motome. The cinematography was great, though. I loved the camerawork and the sets. It really was beautifully directed. I don't know why Miike shot it in 3D. That probably didn't add much, although it would've been a good effect with the falling snow. 

I liked the slow, deliberate pacing of the camera and people's movements, and the fact that we saw what happened to Motome and then afterward learned why it happened made it more interesting.

The Illusionist



The Illusionist's beautiful animation is captivating, but the story is really depressing.

Triplets of Belleville was a great movie. I loved the musicality of it, and how there was hardly any (no?) dialogue. The Illusionist is also beautifully animated. I love the small quirks of the animation, like how The Illusionist's hands move when he packs up his poster. I loved how crazy the rabbit was. But ultimately it's basically the saddest movie ever, and if I had known that going in, I probably wouldn't have watched it.

Memento



It has enough cool aspects to earn a solid 3, but it's sad.

 I had to watch something solo today. I couldn't find any of the movies I actually wanted. I checked Xfinity free stuff (there is nothing there I will ever want to watch), Hulu, and Netflix to no avail. I was puttering around my last resort, Hulu, when I saw they had Memento. I had seen it earlier in my search, on my "to watch" list, but I'd long passed the point when I actually wanted to watch it, so I hadn't bothered to see if I could find it anywhere. But, seeing it there on Hulu, I remembered what it was actually about, and I decided it was time to see it, if only to finally be able to say I had.

Guy Pearce is awesome. One of my favorite actors, for sure. I don't think I liked Memento, though. There were a lot of twists, and parts of it were interesting. I liked some of the themes, and the dialogue was stellar in parts. But parts of it also lagged, and it was a bit of a downer. It's slightly reminiscent of The Salton Sea, in ways, but I liked that movie a lot more.

Super

This movie was weird. Liv Tyler was super pretty. Ellen's character was completely unlikable, and Rainn's wasn't terribly far behind. It was interesting to see it play out, though.

Atonement

The composition and score are absolutely beautiful. The second half is a little tedious, but the ending is brutal.

Sweeney Todd: The Demon Barber of Fleet Street

Bah. All of the songs were abominable, and they spent way too much time singing them. I feel like there were 30 minutes of story, and another 90 of pointless singing.

I do love Burton's style, but most of it was almost too dark here. The actors were excellent and I suppose the ending wasn't too bad.

Fearless

The first half of this movie is hard to watch because Jet isn't terribly believable as an idiot. However, the action is excellent and it manages to be quite poignant by the end.